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ABOUT 1st photo

Patrick Morell is a Cinematographer/Documentary Director/Editor with over 25 years of experience filming documentaries showcasing indigenous populations and environmental changes that we face.

Areas explored include Greenland (the Arctic), South East Asia (Tibet/ China/ India/Nepal) the Middle East, Russia/ Siberia, Europe, the Western United States and Cuba.  He is multilingual, fluent in English and French is his native language.

Equipment owned includes Sony XDCAM PXW-X200 camera and full kit. Patrick is an experienced Final Cut Pro X and 7.

Patrick Morell’s film production skills will ensure that your project is unique and compelling.

Powerful documentary film-making requires seeing beyond the surface of life, and bringing to light the inner dimension of culture, mind, and spirit that compels individuals and societies to act as they do. It is that intention – the desire to bring the whole story to light, not merely its most accessible features — that makes Patrick Morell’s work so compelling.

Achieving that goal is not without hardship — and danger. While filming in Kolkata, India, for example, Patrick was attacked by wild dogs and suffered serious injury. In the wilds of Nagaland, he was chased by a one-horned Rhino. But arguably the most fearsome mammals who have stalked Patrick were the Chinese soldiers in Tibet who detained Patrick on numerous occasions when he was shooting his widely celebrated documentary, “High Train to Tibet which premiered in New York in 2014.

As an independent filmmaker, Patrick has traveled the world over. That includes Greenland (the Arctic), South East Asia (Tibet, China, India and Nepal), the Middle East, Russia and Siberia, Europe and the Western United States. His dedication to telling the whole story has demanded more than simply filming his subjects, but also living with them for weeks and sometimes for months.

Patrick was one of the first Frenchman to gain a visa to enter the Naga tribal lands. The Nagas are headhunters who live in a remote part of Northeast India. He has joined Eskimos on the hunt for Narwhals in Qaanaaq, Greenland. And he has filmed freshwater seals on the remote shores of Lake Baikal in Siberia.

Patrick doesn’t return with rare artifacts from his journeys like shrunken heads, walrus trophies or poison-tipped arrows. What he does bring back from his journeys are incredible images. And he assembles them in a way that is not only beautiful and memorable, but important as a historical record.

The following screens capture a selection of Patrick’s library of images across the Environment, Nature, People and Art and evidence his spirit of global adventure while bringing the whole story to light.

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Patrick was born in France, in the rugged Mountain region of Les Vosges near Alsace Lorraine, bordering Germany’s Black Forest. He learned his craft at the Louis Lumiere Film School in Paris, and earned degrees in philosophy and journalism at the University of Paris Sorbonne/Vincenne.  In addition to his love of nature and related themes, Patrick was greatly influenced by the Cinema Verite style and Gilles Deleuze ‘s philosophy.

In the Western United States. he gained film experience, as a freelance cameraman (16m/m, 35m/m), in 1982 and 1983 filming features such as the dark thriller “the Masseuse” from Masai Films (Marin County), in the streets of San Francisco. In 1984, working with and for the San Francisco Film Company, he scouted for “the Golden Spike” a Sam Peckinpah project. He shot commercials for Grant Production, an advertising company in Sacramento. In Los Angeles, he provided advisory services in Documentary film classes at UCLA in 1988 and worked as an actor, from 1985 to 1991, with minor roles in So I Married an Ax Murderer and The Last of the Mohicans.

In the 90’s in New York, Patrick filmed numerous art videos as well as educational and institutional programs for several video production companies such as Visual Arts Productions International, A.C.T (Art, Cultures & Technologies), Video 35, Maysles Films and Knight Productions in Washington DC. “Souls Grown Deep” shot in Alabama and Georgia about three self -taught black artists was made with Arts, Cultures & Technologies in 1996.

He has performed corporate video assignments with companies including Suez Environment in the Hashemite Kingdom of Jordan while shooting a series on Water in the Middle East (Lebanon, Jordan and Syria) in 2004, for France 5 and in Turkey in 2003. He has collaborated on multiple cultural preservation projects with UNESCO in Paris and Cairo, with the Schoenberg Institute in New York, and the Smithsonian in Washington DC. While shooting footage for the project “Witness of Existence” in Sarajevo during the brutal winter of 1995/ 1996, he also helped in the humanitarian mission to deliver warm clothes and food to people in Croatia and Bosnia-Herzegovina’s regions most affected by the war.

His work either as a shooter and/or as a director has been featured in a wide array of International documentaries for European television (Arte France, TV 5 France, Studio 21 Sarajevo) and for US broadcasting (PBS, National Geographic, Discovery Channel, and HBO).

In the last few years, he has continued to travel extensively in Greenland and South East Asia and most recently in India and Cuba where he has 2 projects currently in development. In his journeys and as a filmmaker, Patrick scouts locations, shoots material, and investigates stories (see films and in production pages for details).

He remains true to his homegrown roots in hand held camera, Cinema Verite style, while experiencing many other styles of cameras and sound. Like Francis F. Coppolla wrote: “There is magic in cinema” and it is a blessing when you can witness it, first hand behind the lens. Only documentaries allow you this direct, close up, and not programmed approach to reality.

He is currently based in New York City and in Princeton, New Jersey.

ABOUT 1st photo

Patrick Morell is a Cinematographer/Documentary Director/Editor with over 25 years of experience filming documentaries showcasing indigenous populations and environmental changes that we face.

Areas explored include Greenland (the Arctic), South East Asia (Tibet/ China/ India/ Nepal, the Middle East, Russia/ Siberia, Europe, the Western United States and Cuba.  He is multilingual and French is his native language (fluent in English).

Equipment owned includes Sony PMW 200 XDCAM HD 422 camera and full kit. Patrick is an experienced Final Cut Pro 7 and X Editor.

Patrick Morell’s film production skills will ensure that your project is unique and compelling.

Powerful documentary film-making requires seeing beyond the surface of life, and bringing to light the inner dimension of culture, mind, and spirit that compels individuals and societies to act as they do. It is that intention – the desire to bring the whole story to light, not merely its most accessible features — that makes Partrick Morell’s work so compelling.

Achieving that goal is not without hardship — and danger. While filming in Kolkata, India, for example, Patrick was attacked by wild dogs and suffered serious injury. In the wilds of Nagaland, he was chased by a one-horned Rhino. But arguably the most fearsome mammals who have stalked Patrick were the Chinese soldiers in Tibet who detained Patrick on numerous occasions when he was shooting his widely celebrated documentary, “High Train to Tibet which premiered in New York in 2014.

As an independent filmmaker, Patrick has traveled the world over. That includes Greenland (the Arctic), South East Asia (Tibet, China, India and Nepal), the Middle East, Russia and Siberia, Europe and the Western United States. His dedication to telling the whole story has demanded more than simply filming his subjects, but also living with them for weeks and sometimes for months.

Patrick was one of the first Frenchman to gain a visa to enter the Naga tribal lands. The Nagas are headhunters who live in a remote part of Northeast India. He has joined Eskimos on the hunt for Narwhals in Qaanaaq, Greenland. And he has filmed freshwater seals on the remote shores of Lake Baikal in Siberia.

Patrick doesn’t return with rare artifacts from his journeys like shrunken heads, walrus trophies or poison-tipped arrows. What he does bring back from his journeys are incredible images. And he assembles them in a way that is not only beautiful and memorable, but important as a historical record.

The following screens capture a selection of Patrick’s library of images across the Environment, Nature, People and Art and evidence his spirit of global adventure while bringing the whole story to light.

Read More
Patrick was born in France, in the rugged Mountain region of Les Vosges near Alsace Lorraine, bordering Germany’s Black Forest. He learned his craft at the Louis Lumiere Film School in Paris, and earned degrees in philosophy and journalism at the University of Paris Sorbonne/Vincenne.  In addition to his love of nature and related themes, Patrick was greatly influenced by the Cinema Verite style and Gilles Deleuze ‘s philosophy.

In the Western United States. he gained film experience, as a freelance cameraman (16m/m, 35m/m), in 1982 and 1983 filming features such as the dark thriller “the Masseuse” from Masai Films (Marin County), in the streets of San Francisco. In 1984, working with and for the San Francisco Film Company, he scouted for “the Golden Spike” a Sam Peckinpah project. He shot commercials for Grant Production, an advertising company in Sacramento. In Los Angeles, he provided advisory services in Documentary film classes at UCLA in 1988 and worked as an actor, from 1985 to 1991, with minor roles in So I Married an Ax Murderer and The Last of the Mohicans.

In the 90’s in New York, Patrick filmed numerous art videos as well as educational and institutional programs for several video production companies such as Visual Arts Productions International, A.C.T (Art, Cultures & Technologies), Video 35, Maysles Films and Knight Productions in Washington DC. “Souls Grown Deep” shot in Alabama and Georgia about three self -taught black artists was made with Arts, Cultures & Technologies in 1996.

He has performed corporate video assignments with companies including Suez Environment in the Hashemite Kingdom of Jordan while shooting a series on Water in the Middle East (Lebanon, Jordan and Syria) in 2004, for France 5 and in Turkey in 2003. He has collaborated on multiple cultural preservation projects with UNESCO in Paris and Cairo, with the Schoenberg Institute in New York, and the Smithsonian in Washington DC. While shooting footage for the project “Witness of Existence” in Sarajevo during the brutal winter of 1995/ 1996, he also helped in the humanitarian mission to deliver warm clothes and food to people in Croatia and Bosnia-Herzegovina’s regions most affected by the war.

His work either as a shooter and/or as a director has been featured in a wide array of International documentaries for European television (Arte France, TV 5 France, Studio 21 Sarajevo) and for US broadcasting (PBS, National Geographic, Discovery Channel, and HBO).

In the last few years, he has continued to travel extensively in Greenland and South East Asia and most recently in India and Cuba where he has 2 projects currently in development. In his journeys and as a filmmaker, Patrick scouts locations, shoots material, and investigates stories (see films and in production pages for details).

He remains true to his homegrown roots in hand held camera, Cinema Verite style, while experiencing many other styles of cameras and sound. Like Francis F. Coppolla wrote: “There is magic in cinema” and I would add it is a blessing when you can witness it, first hand behind the lens. Only documentaries allow you this direct, close up, and not programmed approach to reality.

He is currently based in New York City and in Princeton, New Jersey.

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